Artist Kimberly Callas sees something different when she looks at a 3D printer. Where others see a machine for making parts, she sees a way to tell stories about the ocean, climate change, and humanity’s relationship with nature.
That vision has now earned her a place in the New York Academy of Art‘s 2026 Summer Exhibition, where her piece Ocean Reach combines hand-painted details with 3D printed biofilament to explore the beauty and fragility of marine ecosystems.
Oceans, coral reefs, marine life, and the challenges facing our planet have become the foundation of her work.
Callas, an artist and professor at Monmouth University in New Jersey, combines traditional art techniques with modern technologies, including 3D printing. Her piece Ocean Reach wasn’t just selected for the New York Academy of Art’s Summer Exhibition; it was also featured in the latest issue of WEAD Magazine, a publication focused on women working in environmental art.
What makes the piece especially interesting to the 3D printing community is that it contains PLA biofilament, one of the most widely used materials in desktop 3D printing. This shows us how additive manufacturing is being used in creative fields beyond engineering and manufacturing.
Art Meets Technology
For years, 3D printing has given artists incredible new creative possibilities. In Callas’ work, however, the technology is just one part of the artistic process. Her work often explores humanity’s relationship with nature, particularly the oceans. Through sculpture, drawing, installation pieces, and 3D printed elements, she creates works that encourage viewers to think differently about the environment.
In Ocean Reach, 3D printed PLA biofilament is combined with acrylic ink and graphite to create a piece that feels both organic and futuristic at the same time. It’s amazing how the technology almost disappears into the artwork itself. But that’s part of what makes it interesting. The goal isn’t to show off a 3D printer, it’s to tell a story. And here, the visible print layers add texture and movement that look like waves, currents, and other natural forms.
Measuring 8 x 6 x 2 inches, the piece, Callas says, “continues my interest in the visceral meeting point between humans and nature.”
A Different Side of 3D Printing
Callas chose to create the piece using PLA biofilament, one of the most common materials used in desktop 3D printing. Made primarily from renewable resources such as corn starch or sugarcane, PLA isn’t a perfect environmental solution. Although it still has an environmental footprint, Callas’ decision to use it in artwork inspired by the oceans creates an interesting connection between the material itself and the environmental themes she explores.
Ocean Reach was selected for exhibition by the New York Academy of Art as part of its summer exhibition program.
Anyone interested in seeing Ocean Reach can visit the New York Acade
Artist Kimberly Callas sees something different when she looks at a 3D printer. Where others see a machine for making parts, she sees a way to tell stories about the ocean, climate change, and humanity’s relationship with nature.
That vision has now earned her a place in the New York Academy of Art‘s 2026 Summer Exhibition, where her piece Ocean Reach combines hand-painted details with 3D printed biofilament to explore the beauty and fragility of marine ecosystems.
Oceans, coral reefs, marine life, and the challenges facing our planet have become the foundation of her work.
Callas, an artist and professor at Monmouth University in New Jersey, combines traditional art techniques with modern technologies, including 3D printing. Her piece Ocean Reach wasn’t just selected for the New York Academy of Art’s Summer Exhibition; it was also featured in the latest issue of WEAD Magazine, a publication focused on women working in environmental art.
What makes the piece especially interesting to the 3D printing community is that it contains PLA biofilament, one of the most widely used materials in desktop 3D printing. This shows us how additive manufacturing is being used in creative fields beyond engineering and manufacturing.
Art Meets Technology
For years, 3D printing has given artists incredible new creative possibilities. In Callas’ work, however, the technology is just one part of the artistic process. Her work often explores humanity’s relationship with nature, particularly the oceans. Through sculpture, drawing, installation pieces, and 3D printed elements, she creates works that encourage viewers to think differently about the environment.
In Ocean Reach, 3D printed PLA biofilament is combined with acrylic ink and graphite to create a piece that feels both organic and futuristic at the same time. It’s amazing how the technology almost disappears into the artwork itself. But that’s part of what makes it interesting. The goal isn’t to show off a 3D printer, it’s to tell a story. And here, the visible print layers add texture and movement that look like waves, currents, and other natural forms.
Measuring 8 x 6 x 2 inches, the piece, Callas says, “continues my interest in the visceral meeting point between humans and nature.”
A Different Side of 3D Printing
Callas chose to create the piece using PLA biofilament, one of the most common materials used in desktop 3D printing. Made primarily from renewable resources such as corn starch or sugarcane, PLA isn’t a perfect environmental solution. Although it still has an environmental footprint, Callas’ decision to use it in artwork inspired by the oceans creates an interesting connection between the material itself and the environmental themes she explores.
Ocean Reach was selected for exhibition by the New York Academy of Art as part of its summer exhibition program.
Anyone interested in seeing Ocean Reach can visit the New York Acade